Many things happen on street corners.
Lovers part with a kiss
Salesmen smooth down their hair
And straighten their ties
Cloth manufacturers stare
At the hair on the napes
Of schoolteachers' necks
Blind musicians play accordions
Little boys hand out yellow leaflets
Shop assistants straighten their green skirts
And old dogs on leashes relax and take a piss.
Oh my heart!
(From Ashes of Experience, Wurm Publishers, Pretoria, 1969)
Sunday, May 24, 2015
Saturday, May 16, 2015
Saturday, April 25, 2015
In 1975 Sinclair Beiles gave an interview to Michael Butterworth, shortly after he had completed a lengthy in-patient treatment for mental disturbance at Bowden House.
The conversation allowed Beiles to speak about his illness and treatment:
“Conditions inside an asylum [being] ideal for a poet, because of the lack of personal responsibility living in the clinic. Somebody would arrive with a tray for my breakfast…and take it away again. Somebody would come and make my bed. I felt I was in a very congenial environment. The people were responsive to poetry – sometimes out of boredom, sometimes out of their own madness.”
Asked, “How do you cope outside, then?” Beiles responds:
“Well, I cope with difficulty. All sorts of things like washing, and all the chores of living like cooking and buying a chop and things like that, I find alien to me. But this time out, I’m trying to spend my time out altogether, and not go back.”
Do you mind me asking how your personal ‘madness’ started?
“It’s a chemical thing.”
Beiles considers being outcast in ‘The Conspiracy,’ and for him the boundaries become hazy under examination:
A conspiracy against us
Everything is a conspiracy
The grocer who wants to be cured of his
The frailty of our bodies
Getting out of bed in the mornings
Our sex which cannot be satisfied
Which overwhelms us in the underground
And in libraries
A conspiracy of doctors
Who invite us to eat with mute children
Of Austrian mountains
Of getting lost
Of vigorous climbers
Who hug and kiss us
Of the society for the Prevention of
Of making love on Turkish trains
O[f] parents who insist on dressing us up
In the clothes of their absent sons
Of typewriters with their metallic clatter
Of lost letters
Of Summer armpits.
We want nothing
Nothing of this life
We do not want children
We do not want our mothers-in-law
To buy us houses in London
We do not want to live on the rent in
Make 8mm films
Pose in the nude
Attend cocktail parties in our honor.
This conspiracy is never ending
Spiro and I will die of it
But at least we will die together.
First published here
Monday, April 13, 2015
Dye Hard Press has re-issued Who Was Sinclair Beiles? in a revised and expanded edition. I posted an item about the first edition when it was published five years ago. It’s hard to believe so much time has passed. As I wrote then, Beiles was best known for his association with the Beats. He collaborated on Minutes to Go with William Burroughs, Brion Gysin, and Gregory Corso, and helped to shepherd Burroughs’ manuscript of Naked Lunch into print at the Paris-based Olympia Press, where he worked as an editor. “Best known” is a questionable term, though. If he was known at all, it was only among a certain segment of avant-garde expatriate writers and artists living in Tangier, Paris, London, Rotterdam, Athens, and other far-flung places, where he spent many years scraping by in various capacities....Read more
Tuesday, March 17, 2015
Sinclair Beiles was a South African writer associated with the Beat movement of the late 50s and early 60s. During the time of his earliest successes, he moved from South Africa to Paris, to live with the community of writers and artists, which included Gregory Corso, Brion Gysin, and William Burroughs, among others, at what would become known as The Beat Hotel. Yet, this “beat” tag could not contain him. He also spent the early 60s in Greece, working with the Greek artist Takis on multimedia works, all the while spooling out his own brand of surrealistic, enigmatic poetry. He floated around Europe in the decades that followed… coming back to his homeland in the 90s, settling down in the artists’ enclave of Yeoville, in Johannesburg. He continued to experiment restlessly, until his death in 2000. He is relatively unknown outside of Beat and South African literary circles. Hopefully this article will go a long way towards correcting that. More .
Friday, January 30, 2015
Available from Dye Hard Press at R150 per copy, including postage (South Africa only). Email firstname.lastname@example.org. For overseas orders, price will vary according to increased postal rates - please enquire with publisher.
Sunday, December 21, 2014
Saturday, November 8, 2014
Friday, October 10, 2014
Sunday, September 28, 2014
A revised and expanded edition of Who was Sinclair Beiles?, including new material by Heathcote Williams and Carl Weissner, with additional photographs of Sinclair from the 1970s by Gerard Bellaart. Due out November 2014.
Saturday, September 27, 2014
A typewritten poem by Sinclair Beiles for artist Bruno Demattio. Demattio's son Hopi posted this poem to the Facebook profile of Afra Beiles.