Sinclair Beiles, Beat Hotel, 1960

Photo: Harriet Crowder. Courtesy of Jim Pennington.

Cutting it all up by Fred de Vries

There’s more than a touch of self-importance in the way they pose for the photograph. It’s most obvious in the way they hold their cigarettes, like would-be film stars – Humphrey Bogart, Yves Montand, with a touch of Montgomery Clift. But you can also detect a sense of achievement; the idea that they have stumbled upon something revolutionary and sublime.

The date is 13 April 1960. The place is the English Bookshop in the Rue de Seine on Paris’ Left Bank, a few blocks from their informal headquarters, a nameless flea-ridden lodging a.k.a. the Beat Hotel. On the left of the black and white picture you see Swiss-born Canadian surrealist Brion Gysin. For a guy with a bitchy reputation he seems almost jovial, saying something to William Burroughs who is standing next to him, looking pale and gaunt, as befits the author of two controversial novels, Junky and The Naked Lunch. Spring has set in, but Burroughs is still wearing his hat and long coat. Digesting Gysin’s wit, he manages a faint smile, which makes him look momentarily handsome ... Read more.

Bailes [sic] emerges from mentor's shadow

Shocking typo in the headline! From The Star, 6 February 1997 

Richard Wright, haiku and Sinclair Beiles

"In 1959, he (Richard Wright) was introduced to haiku by Sinclair Beiles , a young South African poet who loved its form. Beiles was living in Paris and associating with other poets of the 'Beat generation' such as Jack Kerouac, Allen Ginsberg, William Burroughs and Gary Snyder. Beiles's and the Beat poets' interest in Zen led Wright to the knowledge of haiku. Because the Beat Hotel was in the Latin Quarter and Wright lived very close to the hotel, Wright often frequented the hotel bar....Wright borrowed, from Sinclair Beiles,  RH Blyth's four volumes on the art and history of the haiku and its relationship to Zen philosophy and settled down to rediscover his old dream of oneness with life..."

(from The Richard Wright Encyclopedia,  Jerry W Ward, Robert J Butler)   

Sinclair Beiles, Action Poet by Shaun de Waal

South African poet and writer Sinclair Beiles has not always received favourable attention in his home country. Now, however, he and his work have been placed at the centre of a major celebration of the Beat Generation and The Beat Hotel.

The Institut Francais d'Afrique du Sud, in conjuction with the British Council, has put together a range of events that includes an exhibition of photographs by Harold Chapman, a partial reconstruction of the famous Beat Hotel, films including a documentary on Beiles, a multimedia show, and a lecture by Donald Moerdijk (born in South Africa, he is now a professor at Paris's Ecole Normale Superieure).

The Beat Hotel - a pension on Paris's Left Bank, at 9 Git-le-Coeur, run by the accommodating Mme Rachou - came to be nicknamed due to the transient artists and writers it housed, among them William Burroughs, Harold Norse, Allen Ginsberg, Brion Gysin, Gregory Corso and of course Beiles.

Beiles, a South African born in Uganda,collaborated with Burroughs, Gynsin and Corso on Minutes To Go, a slender volume of poetry made using a revolutionary method - the cut-up.

Burroughs, particularly, took to the concept of chopping up pieces of text and reassembling them at random. "Cut the word-lines" he would later urge, theorising that the bizarre new meanings thrown up by such a poetic method would help subvert the agents of social control, one of whose tools, it was believed, was "rational" language.

When I interviewed Beles some years ago, he began by flipping through some old volumes of his work, reading snippets from each, in arbitrary order, into a tape recorder - producing an impromptu cut-up.

This method of composition, however, was only one element of Beiles's work. His 1969 collection of poems, Ashes of Experience, which won the Ingrid Jonker Prize, has enough of a sense of detachment without requiring the physical fracturing of the text:

And the women smile from their doorways
at the stranger
who carries his heart
in his hand.
He walks about the marketplace
as if risen from the dead
an ancestor
come to see his people
trading old coins
stamped in his likeness.

"I was coming from absolutely nowhere," Beiles told me. "I found myself an exile in Athens. No books, no clothes, no possibility of integrating myself into society. I had a notebook and a pencil, but knew hardly anybody. I started writing one or two poems a week in between wandering around aimlessly in Athens. Occassionally I showed poems to people in cafes and got a drink or something to eat in return."

(Published in Mail & Guardian, January 30, 1997)  

Review of Who was Sinclair Beiles? by Christopher Nosnibor

Sinclair Beiles was a friend of the Beats, lived at the Beat Hotel when it was all happening, had a hand in editing William Burroughs’ seminal novel Naked Lunch, was a prolific poet and led an eventful life. Yet strangely, he remains largely unknown. Who Was Sinclair Beiles? attempts to address this matter. This volume may be slim, but plugs a very big gap in the coverage given to the criminally underrated poet Sinclair Beiles...Read more here

Letter from Sinclair Beiles to Dawie Malan, Unisa Library, February 1997

Courtesy: Unisa library archives - manuscript collection ACC143

Beat Hotel documentary trailer

The Road to the Beat Hotel